Committees

Wednesday, October 24, 2018

Concert
TOWARDS THE 11th SYMPOSIUM “MUSIC IN SOCIETY”

Open Stage Obala – Academy of Performing Arts, University of Sarajevo
Obala Kulina bana 11

20:00 h
FLUTRIFICATION
Hanan Hadžajlić
recital for amplified flute/bass flute, tape, and TransFlute modular systems

Thursday, October 25, 2018

Registration of symposium participants
From 9:00 am

Musicology, Session 1
10:00–11:00 am
Room 2
Session in B/H/S language
Moderator: Fatima Hadžić

Senka Hodžić: The Musical Infrastructure of Sarajevo in the First Decades after World War II in the Context of Cultural Strategies of Socialist Yugoslavia
Miloš Marinković: Yugoslav Electroacoustic Music Before the Seventies: Production and Promotion at the Music Biennale Zagreb and the Yugoslav Music Tribune
Ira Prodanov: The Activity of Maestro Mladen Jagušt at the Academy of Arts, University of Novi Sad

Musicology, Session 2
11:30 am–12:30 pm
Room
Session in B/H/S language
Moderator: Ira Prodanov

Bogdan Đaković: The Problem of Repertoire of Amateur Choirs in Serbia in the Last Three Decades – the Relationship between Spiritual and Secular Genres
Dina Vojvodić: Musicological Portrait of Petar Bingulac
Ivana Nožica: Reception of Contemporary Music in the Zvuk Magazine – Sarajevo Period (1967–1986)

Music Theory and Pedagogy, Session 1
10:00–11:00 am
Room 2
Session in B/H/S language
Moderator: Amra Bosnić

Senad Kazić: Improvisation in Music Pedagogy, Historical Paradigm or Historical Paradox?
Refik Hodžić: Harmony between Theory and Practice
Jelica Valjalo Kaporelo / Blaženko Juračić: Melodic and Rhythmic Permutations

Thursday, October 25, 2018
Musicology, Session 3
1:00–2:00 pm
Room 9
Session in B/H/S language
Moderator: Senka Hodžić

Monika Jurić Janjik: (In)significance of Music in the Work of Ragion di stato by Italian Philosopher Giovanni Botero (circa 1544 – 1617)
Ivana Tomić Ferić/Maja Milošević Carić: Musical Classicism in Dalmatia: Julije Bajamonti (1744-1800) and Josip Raffaelli (1767-1843) in the Mirror of Correspondence and Mutual Relationships
Katica Burić Ćenan: Nobile teatro – Memories of the ‘Golden Age’ of Zadar’s Musical Past

Music Theory and Pedagogy – Panel
11:30 am–12:30 pm
Room 6
Panel in B/H/S language
Correlation of Subjects in the Field of Music Theory and Pedagogy on the Example of Ludwig van Beethoven
Nerma Hodžić Mulabegović, Naida Hukić, Amra Bosnić

Music Theory and Pedagogy, Session 2
1:00–2:00 pm
Room 1
Session in B/H/S language
Moderator: Valida Tvrtković Akšamija

Tatjana Krkeljić: Music Educators from the USSR and Eastern European Countries at the Music Academy in Montenegro from Its Establishment to Today
Majda Milinović: Choir Competitions as a Motivational Factor for Student Participation in a Choir
Naka Nikšić: Recognition of Musically Gifted Individuals and Support for Their Development and Education

Opening Ceremony
Introductory Lecture
6:00 pm
Concert Hall of the Music Academy

Dr. Harry White, MRIA (University College Dublin)
Ireland in the European Ear: Historical Conceptions and Misconceptions of Irish Music

Concert
INTER NOS
Perspective on Bosnian Composers of the 21st Century

7:30 pm
Concert Hall, Music Academy, University of Sarajevo

Friday, October 26, 2018

Musicology, Session 4
10:00–11:00 am
Room 2
Session in B/H/S language
Moderator: Ivana Tomić Ferić

Melita Milin: Correspondence of Josip Slavenski as a Source for Studying His Creative Poetics
Stanislav Tuksar: Franjo Ksaver Kuhač in the Network of His Contacts on the Project “Die österreichisch-ungarische Monarchie in Wort und Bild” (1888-1902)
Sara Ries: Franjo Ksaver Kuhač in the Mirror of His Correspondence (1864-1874)

Ethnomusicology, Session 1
11:00 am–12:00 pm
Room 6
Session in English
Moderator: Jasmina Talam

Drago Kunej: Digitization and Interpretation of Ethnomusicological Audio Material in Digital Format
Aleksandar Dimitrijevski: Connecting Music Tradition and Contemporary Mass Media: The Macedonian Music Folklore on the Internet
Hedy Hurban: The Dervish Sound Dress; a Garment Using Sensors that Emit Sound and Haptic Feedback

Music Theory and Pedagogy, Session 3
10:00–11:20 am
Room 10
Session in English
Moderator: Amila Ramović

Marko Milenković: The Influence of Sound Plasticity of Text on Vocal Speech in the Musical Drama Koštana by Petar Konjović
Miloš Zatkalik: Music as Ruled by Primary Processes: Fragmentation
Srđan Teparić: Architextuality as a Factor in the Construction of the Genre of “Musical Fairytale” in the Composition Extraordinary scenes from Homer’s grave in Smyrna – New Additions for Hans Christian Andersen by Ivana Stefanović
João C. R. Cunha: From Orff-Schulwerk Approach to Longlife Music Education: Perspectives Based on Flow Theory

Musicology, Session 5
11:30 am–12:50 pm
Room 2
Session in B/H/S and English
Moderator: Vjera Katalinić

Sanja Majer-Bobetko: Croatian Music Historiography from the Beginning of the 20th Century to 1945. A Brief Overview
Gorana Doliner: Historiography of Church and Folk Music in Croatia and Bosnia and Herzegovina. Source: Music Journal Sveta Cecilija (1907-1045)
Leon Stefanija: Critical Strategies: Concept-Analysis of Slovenian Orchestral Music 1918–1945
Fatima Hadžić/Lana Paćuka: Contribution to Understanding the Life and Work of Abraham Suzin

Music Theory and Pedagogy – Workshop (in English)
12:30–1:30 pm
Room 10
Moderator: Amra Bosnić
João C. R. Cunha
Developing Social Skills in Music Education: Music and Movement Experiences Based on the Orff-Schulwerk Approach

Ethnomusicology, Session 2
1:00–2:00 pm
Room 9
Session in B/H/S language
Moderator: Drago Kunej

Kovač Mirza: Treasures from Magnetic Tapes – Private Recordings of Himzo Polovina
Bogdan Dražeta: Narratives about Music in Contemporary Urban Culture of Sarajevo and Mostar
Vesna Ivkov: Music of “Others” in Practical Teaching of Ethnomusicology at the Academy of Arts in Novi Sad

Musicology, Session 6
1:00–2:00 pm
Room 2
Session in B/H/S language
Moderator: Stanislav Tuksar

Vjera Katalinić: Aspirations and Obstacles in the Institutionalization of National Opera in Zagreb in the 1860s
Marija Cestarić: Writings about Music from the Hemeroteca Dragutin Arany as a Contribution to Understanding the Opera Repertoire of the Croatian National Theater in Zagreb during the Kingdom of SHS
Zdravko Drenjančević: Presence of Slavonian Traditional Music in the Opera Ero s onoga svijeta by the Composer Jakov Gotovac

Music Theory and Pedagogy, Session 4
1:45–2:45 pm
Room 10
Session in B/H/S language
Moderator: Refik Hodžić

Valida Tvrtković-Akšamija: Active Learning Methods in Music Education
Merima Čaušević: Musical Preferences of Students at Teacher Training Colleges
Ana Čorić: Development of Civic Competence of Music Pedagogues through Interdisciplinary Approach in Higher Education

Introductory Lecture
6:00 pm
Main Hall of the University of Sarajevo

Dr. Razia Sultanova (University of Cambridge)
Non-Russian Face of Russia: Music, Youth, and Migrations in the Post-Soviet State

Concert
Ensemble Etnoakademik
7:00 pm
Main Hall of the University of Sarajevo

Saturday, October 27, 2018
Musicology, Session 7

10:00–11:00 am
Session in B/H/S language

Room 2
Moderator: Ognjen Tvrtković
Ognjen Tvrtković: History of Popular Music in Socialist Yugoslavia – Problems and Dilemmas
Siniša Škarica: Bijelo dugme: rock-folk or folk-rock?
Aldo Foško: Emergence of Gypsy Jazz in Croatia

Music Theory and Pedagogy, Session 5
10:00–11:00 am
Room 10
Session in B/H/S language
Moderator/Chair: Nerma Hodžić Mulabegović

Danijela Zdravić Mihailović: Aesthetic Education and Professional Music Education – Contribution to the Study of Student Competencies
Lejla Kasumagić–Islambegović/Lejla Džambazov: Application of Integrated Curriculum and Music as a Means of Lifelong Learning in an Inclusive Group of Preschool Age. An Example from Practice
Jasna Šulentić Begić/Amir Begić: Didactic Aspects of the Intercultural Approach in Music Education